After a commission to paint Claudio Monteverdi his fame grew, and his portrait paintings included many of the leading Venetians. Provenance: private Connecticut, USA collection; ex-Belgian Art Market, 1985-1986; ex-New York Art Market, 1998; ex-private New York, USA collection, 1995-2014; ex-Christie's, New York "Ancient Jewelry" auction (sale 3498, December 11, 2014, lot 280) Condition: Only slight surface wear. JERRY HICKS, RWA, "SUPPER AT EMMAUS" AFTER CARAVAGGIO, exhibited at RWA, painted 1961 and restored by the artist after the fire at Athelhampton, 1992, Oil and Mastic medium of hardboard. He became nicknamed all his life as il prete Genovese (the Genoa priest).Saint Christopher, by Strozzi.Early paintings, such as The Ecstasy of St Francis show the dark emotionalism of Caravaggio. Description: Saint Sebastiano (Alonzo Rodriguez? Fine copy of the handsome catalogue of classical antiquities formed by the Italian nobleman and senator Ciriaco Mattei (1545-1614), a close friend and patron of Caravaggio. Manner of Caravaggio "The Murder", oil on canvas laid down, 96cm x 126cm. 1 auction result for Michelangelo Merisi IL CARAVAGGIO. George II, circa 1730, in the manner of William Kent the egg and dart moulded shelf above a male term figure with a chaplet of laurel, the torso with drapery carved waist, on a scale-carved tapered square pillar headed by acanthus leaves and with moulded plinth height 155cm., 5ft. Given the relatively large number of his pictures that survive, Polidoro evidently found a market in Sicily that appreciated his personal bozzetto -like artistic approach. Seconda edizione, accresciuta con la vita di Luca Giordano, del più importante lavoro del Bellori. Estimate: (sheet), 14 x 21 in. Cookies help us deliver our services. - €12,000 - €14,000, Description: Several experts have doubts, according to The Guardian. Description: Sign in to view your bids, favorites & more! A Box of Children's Books and Five Continental Folios of Old Master Prints to Include Van Dyck, Caravaggio, Giorgione Etc. 35 pl. The painting will “soon be exhibited in an important museum” where it will “finally come into the light for all to see,” it added. Frise, col ink col wash Works on paper (30x8in). Description: This work forms a comprehensive catalogue of the collection of antiquities belonging to the renowned collector and patron of the arts Ciriaco Mattei (1542-1614), at his residences in Rome, the Palazzo Mattei and Villa Celimontana. red chalk, pen and brown ink ( recto ), watermark bull's head below a star 216 x 173 mm. ENTOURAGE DE POLIDORO DA CARAVAGGIO (CARAVAGGIO 1497-CIRCA 1543 MESSINE)Soldat debout tenant une lance avec inscriptions 'bolador' et '93' (recto); et 'Polidoro' (verso)plume et encre brune, lavis brun, mis au carreau à la craie rouge 226 x 130 mm. Even if its provenance is disputed, its value will run to many tens of millions of euros. But is this alternate version of the bloody beheading a genuine Caravaggio? CALDARA POLIDORO called POLIDORO DA CARAVAGGIO(Carravagio 1492 - 1543 Messina)The Deposition.Brown pen and brush. Similar poses can be found in the Apollo Belvedere and the figures of the Dioscuri in front of the Quirinale Palace, Rome. On's Standardized Marketplace, you can buy or sell artworks by POLIDORO DA CARAVAGGIO. After Caravaggio, a 19th Century oil on canvas, ' The Card Sharps ', 25ins x 30ins, gilt framed, Two art exhibition postersPicasso et les MaitresI musici di Caravaggio a Palazzo AbatellisCaravaggio 41cm x 51cm in framePicasso 43cm x 63cm in frame. Red chalk. Over the last couple of weeks, Post-War and Contemporary art has generated very good auction results in Paris. Since 1998 the record price for this artist at auction is $794,572 USD for The Adoration of the Shepherds, sold at Sotheby's London in 2019. Live Science is part of Future US Inc, an international media group and leading digital publisher. NICCOLÒ VICENTINO (ACTIVE CIRCA 1540-50) AFTER POLIDORO DA CARAVAGGIO (CIRCA 1499-CIRCA 1543) The Death of Ajaxchiaroscuro woodcut s printed from three blocks in black and two shades of grey, circa 1540-50, on laid paper, watermark Sun (not in Briquet or Woodward) , a very good impression of the second, final state, re-published by Andreani in 1608Block 317 x 419 mm.Sheet 320 x 421 mm. Adam and Eve, circa 1680-1700, copper engraving on laid paper by Fantetti after Raphael, published by De Rossi, Rome, numbered five to lower right hand corner, plate size 24 x 25.8cm (9.5 x 10.2ins), with margins, window-mounted, and other Old Master prints including a hand coloured woodcut illustration from a book signed in the image V S, German gothic printed text to verso, Willem Panneels, Mary Magdalene in the House of Simon the Pharisee, copper engraving after Rubens, trimmed to image, sheet size 14.2 x 17.1cms (5.6 x 6.8ins), a mezzotint portrait of Lucas Holstenius, Vatican Librarian, by Haid, copper engraving of a Roman marble frieze by Giovanni Battista Galestruzzi after Polidoro da Caravaggio (numbered 2 lower right corner), and a further group of 16th century German woodcut illustrations with printed text to versos (Qty: 16), APPROXIMATELY TWENTY-FOUR EARLY ENGRAVINGS OF RENAISSANCE WORK including after Caravaggio, Raphael, Aundran and Anton Balzer, various sizes (all loose) and includes a series of eight after Raphael, NO RESERVE Constable (W.G.) In 1625, he was charged with illegally practicing as a painter. We are grateful to Pierluigi Leone de Castris for confirming the attribution and for his help in cataloguing this lot. A 20TH CENTURY PAINTED COPY OF 'YOUNG BACCHUS', after Caravaggio, Oil on canvas, 64cm x 49cm, in gilt frame, A 19th-century carved lava cameo bracelet, each cameo depicting the head of a famous character and engraved with the name to the reverse, some names less clear than others but Vinci, Giotto and Caravaggio remain easily legible, gold mounts, 17.5cm, Donald Watson (b 1922) oil on board Alof De Wignacourt (renowned for Maltese paintings), after the original by Caravaggio, 90cm x 65cm, Northern Follower of Caravaggio A tavern scene with the Denial of Saint Peter oil on canvas, unframed 158 x 110cm (62 x 43in) Provenance: John Macfarlane, Coney Hill House, Bridge of Allan, Stirlingshire, Scotland, 1847, and by descent Unlined, quite dirty and with bloom to the surface.